Exhibition Catalog & Price Booklet

Exhibition Catalog & Price Booklet

  • My grandparents were cultivators. Among their children and grandchildren, they filled their backyard with all the beauties of Eden. Peach and tangerine trees filled the yard, grape vines and tomatillo plants lined the fences, and flower beds on the patio grew saplings from discarded pits. Where they threw seeds, sprouted roots of their identity, and eventually mine. Among these many plants, the nopal and pomegranate are two that carry profound significance.

    As a child, I was never quite fond of the prickly pear. I found it a daunting plant amongst the fruit trees. It was something that felt unsafe to play around and its bitter taste also added to my dissatisfaction with the plant. Their thorns and guarded nature carry a sense of emotional armor, distance, and defensiveness. These are feelings often present in a traditional Hispanic and Catholic household. As the only son, I was exposed to the quiet and sometimes loud pressures of machismo culture. Those beliefs normalized physical and verbal aggression, homophobia, and a lack of emotional support. Being in the closet for a large portion of my life, I felt a need to compensate for my sexuality by putting on a facade. Much like the nopal, I kept my sexuality guarded. I suppressed my emotions as best as I could because I couldn’t appear “weak” in front of others.

    Despite this, I cried a lot as a child. I do not let this shame stop me from crying now. I was brought up with the notion that vulnerability was weakness, but I’ve learned the strength in acknowledging these parts of my identity. It has taken some time, but I've grown to love the nopal. Not for its taste, but for all that it stands for. They embody the strength it takes to grow even in harsh conditions. They are sacred reminders of resilience and nourishment, and as I continue to develop my identity, they serve as a connection to my roots.

    My emotional experiences are also tied to the pomegranate. It is a fruit that is guarded by a tough exterior, yet weeps a sweet and heavy nectar when exposed. At its core, the pomegranate is my heart. It bleeds, loves, aches, and its many chambers house my memories. It contains an experience that many children growing up in first generation and immigrant households may be familiar with. The displays of love we may expect from family members, such as verbal affirmations, physical affection, and emotional vulnerability, are not always expressed in recognizable ways. It is often found in long hours worked, meals prepared, and even in the tender act of cutting fruit. This gesture is generational. It was a simple and quiet ritual that my grandparents performed. They picked, cut, and prepared the fruit that nourished my sister and I. It was a small but intimate way of showing their love for us. It transcended the language barrier and the emotional distance that was often found in my household.

    Together, nopales and pomegranates serve as a tribute to the people who shaped me, the culture that grounds me, and the love I cultivate. For much of my life, I suppressed my identity and believed I was unworthy of love and incapable of coming out of the closet. I’ve learned to cut fruit and offer the same tenderness that I deprived myself of for 22 years of my life.

  • Jose Soria is a multidisciplinary artist whose work examines the intersections of religion, sexuality, and cultural identity through memory-based and material driven practices. Rooted in his upbringing in California’s Central Valley, Soria’s work engages multiple forms of displacement, including physical, cultural, emotional, and spiritual, using them as frameworks to explore resilience, intimacy, and belonging.

    Drawing from a background shaped by Catholicism, familial gardens, and growing up closeted within a traditional Hispanic household, Soria incorporates religious iconography, domestic materials, and figurative imagery across painting, assemblage, and woodworking.

    Through an embrace of vulnerability as a critical and generative force, his work holds contradiction, including faith and doubt, devotion and resistance, tenderness and tension, allowing private memory to become collective experience. These inquiries into inherited belief systems, generational trauma, and the construction of identity ultimately frame the body as a site of connection, grief, love, and transformation.

Please contact Jose Soria at @artistjosesoria@gmail.com for more information

SOLD $1,875

The weight of flowers

Oil on canvas, constructed frame

36” x 25 1/2”

2025

$2,500

Soy la fruta de las heridas y la sanación 

Oil on canvas, ink on paper, espinas, pomegranate seeds, soil, found objects, constructed frame triptych 

25 3/4” x 29 1/4”

2025

SOLD $1,500

Our daily bread

Oil on canvas

29 3/4” x 23 3/4”

2025

SOLD $1,250

Nopal

Oil on canvas, constructed frame

25 1/2" x 17 1/2”

2025


$1,250

Néctar

      Oil on canvas, constructed frame

       25 1/2" x 17 1/2”          

2025



$2,500

False Prophet

Oil on canvas, barbed wire, found objects

25 1/2” x 26 1/2”

2025


SOLD $1,875

All that I am

Oil on canvas, constructed frame

30” x 40”

2025

SOLD $1,875

Mi Corazón es Rojo,  Tu Corazón es Verde

Oil on canvas, constructed frame triptych

36” x 50”

2025


NFS

La casa que me creó

Oil on panel, constructed frame

26 1/2” x 24 1/2”

2025

$2,500

I commune with my heart in the night

Oil on canvas, blood, ash, confessional water, rosary, dried flowers, communion wafer, crosses, constructed frame

27 3/4” x 19 3/4"

2024


NFS

My existence is a scandal

Oil on canvas

27” x 23”

2022


NFS

Self Portrait (with nopales)

Charcoal on paper

29 3/4” x 23 3/4”

2024


NFS

Saint Soria

Oil on canvas

30” x 24”

2023


$1500

Sunshine

Oil on panel

26” x 26”

2026


$1500

Thorns

Oil on panel

26” x 26”

2026


NFS

Memories of my youth 

Installation

Dimensions vary

2024